The design features four colourful scenes depicting idyllic Caribbean island life, using bright green, yellow, and blue shades. These scenes showcase farming, rowing, and family. Possibly, this textile was purchased from Marks and Spencer’s however this is not made clear in the register.
During the 1951 Festival of Britain, a range of innovative ideas and designs were showcased, reflecting a desire for progress and modernity following the Second World War. This period marked a departure from the emotional hardships, austerity, and rationing that had characterised the preceding years. Abstract, geometric, and colourful designs became popular, and McNish's work echoed this trend.
Althea McNish's work was ahead of its time and celebrated for its vibrancy and captivating designs. Her interpretation of the British landscape through the lens of her native Trinidad resulted in a combination of bright, geometric, and colourful designs. Her work became increasingly popular towards the end of the 1950s and continued to gain national and international recognition for her skill and designs.
This object was audited and researched as part of the NLHF Data Hunters and Story Gatherers project.
